Having tried heavier bronze strings on my resonator, I found myself trying for something a little different in the way of a slide instrumental. This doesn’t have a title as yet and will change as I get to know it, but I really rather like it as it is.
Just played into a microphone: nothing subtle in the way of manipulation, and I haven’t yet tried connecting it via its pickup. It’s a Gretsch Bobtail, if anyone cares…
If you’re unfortunate enough to have heard a lot of me in the last 30 years or so, the chances are you’ve heard this song. This is the version we recorded in the 1980s for an album that was never released. I’ve put it up here and there before, but this is a cleaner version. Unfortunately, I only had an imperfect cassette recording to work from, so there’s more noise than I’d like. But the mix is reasonably good, and I’ve remastered it here as best I could, given my unreliable hearing and unimpressive engineering skills.
Vocal, acoustic guitar, electric guitar: David Harley
Improvised slide piece that reminds me a little of John Fahey.
I’m ashamed to say I’m not well acquainted with the work of John Fahey, though I have occasionally played ‘The Death of the Clayton Peacock’ which I learned, I think, from a guitar anthology album. Even the way I play ‘Poor Boy/Vestapol’ ultimately derives from Stefan Grossman rather than either Fahey or Robert Wilkins. But that’s another story.
This is actually an improvisation (which started as a sort of pseudo-air in D-modal but somehow moved to a slide piece in Csus2), but it reminded me a little of the Fahey tracks I heard in the 70s. And now I think I’m going to have to start listening to him again.
Slightly tighter version than previously, played on resonator guitar.