The album is released on October 15th 2021, and there’s a launch concert at St. Buryan’s church. More information on that and other tour dates can be found on her website here.
This is a collaboration with Alan Doyle, who wrote the tune and tweaked my lyrics. 🙂
I’m planning to include a cleaner (I mean better recorded, not less obscene!) version of this on a forthcoming album called ‘Kitsch and Canoodle’, but this is probably most of the way there.
Two lost souls living in a bedsit
Lying there back to back
She’s close to weeping, he pretends he’s sleeping
But he’s wondering what to pack
Someone needs to say ‘sorry’
But it seems that it won’t be him
They want to be happy, but they’d rather be right
So the chances of that are slim
Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right
Two lost souls standing by the bus stop
Neither finding words to say
He’s packed up his troubles in his old rucksack
But no one’s smiling today
Someone needs to say ‘sorry’
But neither seems to want to know
They want to be happy, but they’d rather be right
Instead of flattening the bumps in the road
Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right
Two old dears standing in the bus queue
Neither has a lot to say
He’s got the shopping and she’s got his arm
So it must have worked out OK
And they’ve learned to live with each other’s quirks and crotchets
And the angry words that quickly lose their bite
They wanted to be happy, and they want to be right
But they’ve learned to put the past behind
Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right Sometimes it’s OK just to let it all go And it really doesn’t matter who’s right
It really doesn’t matter who’s right
Sarah ends her series of singles from the forthcoming album The St. Buryan Sessions with a lovely, blues-y song co-written with Gerry O’Beirne a decade or so ago, and previously recorded on the excellent 2012 album The Plum Tree And The Rose.
To my ear this version seems a little slower than the previous version, and benefits from the ambience of the venue and perhaps an indefinable maturity of delivery. But judge for yourselves: the video of the single is on YouTube here, while the earlier album and 3-track single (and much else, including the previous singles from the St. Buryan album) can be found on Sarah’s Bandcamp page.
The St. Buryan’s Sessions album is due for release on October 15th 2021: while there are no plans to release any more singles from it, but there may be more videos (Sarah’s YouTube channel is here). I don’t mind either way: I have a copy of the album to look forward to!
Recorded a version in 2016 or so, but I was never quite happy with it, so here’s another shot, with a restrained second guitar overdubbed. Not finished, but most of the way there.
Back in the 1980s, a handful of us – Bob Theil, Don MacLeod, Pat Orchard, Bob Cairns and myself – got together to record an album. Not a band album as such, but one that would represent the work of each of us as songwriters. Unfortunately, the album was never released because of contractual issues: it’s a pity, because there was some excellent stuff on it, in my unbiased opinion.
Fast forward to 2021: having reluctantly come to the conclusion that at my age and in my state of health, it’s unlikely that I’d do any more serious gigging even if life returns to something nearer to normal, so I’ve started to work on releasing some music digitally.
The first steps involved a couple of releases on Bandcamp:
The album Tears Of Morning, featuring songs and a few instrumentals, most of which have some connection with Shropshire, including my settings of verse by A.E. Housman and ‘W.H.B.’ – Bill Golembeski’s very kind review for folking.com is here.
The single ‘Moonflow VI‘ started life as a lengthy instrumental partnered with Bert Jansch’s ‘Needle of Death’ but took on a life of its own as the acoustic and resonator guitar duet ‘Moonflow III‘ (included on Tears of Morning), then acquired a couple of extra electric guitars, by which time it was in its 6th iteration.
My intention is that ‘One Step Away (From The Blues)’, though it will be released only a few weeks after ‘Moonflow VI’, will receive a wider digital distribution, though it will also be available on Bandcamp. It’s one of my tracks from the 1980s album mentioned above, remastered to the best of my ability, and it has a more contemporary edge than the ‘Tears of Morning’ album. It will be released on Friday 12th February 2021. (Wheal Alice Music WAM03-21)
Words & music by David Harley
Vocals, acoustic guitar and electric slide guitar by David Harley
Acoustic lead guitar by Don MacLeod
12-string acoustic by Bob Theil
Produced, engineered and mixed at Hallmark Studio, London.
Here’s a live-ish video of ‘One Step Away’ coupled with another song that I haven’t commercially recorded yet.
With the US leg of the incredibly hardworking Sarah McQuaid’s autumn tour coming to a close this month, here’s a current list of dates for the UK leg. Including plenty of venues convenient for those of us living in the West Country. 🙂
Nov 1 Teignmouth: Pavilions Teignmouth
Nov 2 Praa Sands Community Centre
Nov 3 Ivybridge: Folk On The Moor
Nov 4 Blandford Forum: Chettle Village Hall
Nov 6 Preston: The Willows Folk Club
Nov 7 Caerleon Arts
Nov 8 Farnham Maltings
Nov 9 Box (Corsham): Schtumm Extra
Nov 10 Haverhill Arts Centre
Nov 12 Felton (Morpeth): Gallery Forty5
Nov 14 York: Black Swan Folk Club
Nov 15 Ulverston: Water Yeat Village Hall
Nov 16 Buxton: The Green Man Gallery
Nov 17 East Cowton Village Hall
Nov 18 Newcastle: The Bridge Folk Club
Nov 20 Leicester: The Musician
Nov 23 Northampton: Folk By The Green
Nov 24 Hardraw: The Green Dragon Inn
Nov 25 Stockport: The Green Room @ The Plaza
Nov 28 Luton: The Hat Factory
Nov 29 Tewkesbury: The Old Baptist Chapel
Nov 30 Liskeard: Sterts Studio
Paul Cowley, an excellent blues-influenced player, tells me that he has some gigs in the South West in the near future, including gigs in Brixham (Feb 14th), Dartmouth (March 2nd) and Liskeard (The Albion, 4 Dean St, Liskeard PL14 4AX, on March 3rd). More information on all his upcoming shows here.
I reviewed his 3rd CD here: it’s really rather good.
Updated UK gig list from the ludicrously talented and hardworking Sarah McQuaid (see http://www.sarahmcquaid.com/tour for details of addresses, times, ticket prices etc):
Nov 1 Launceston: No. 8 Cafe & Deli
Nov 2 Trowbridge: The Village Pump @The Lamb
Nov 3 Stroud: Minchinhampton Market House
Nov 4 Barnstaple: ThePlough @StAnne’s
Nov 6 Northampton: Great kNight Folk Club
Nov 7 Pontyclun: Llantrisant Folk Club
Nov 8 Carmarthen: The Parrot
Nov 9 Shrewsbury: Snailbeach Village Hall
Nov 10 Doncaster: Cast
Nov 12 Surbiton: House Concert
Nov 13 Newport Harbour: Quay Arts – Anthony Minghella Theatre
Nov 14 Southampton: The Chapel Sessions
Nov 15 Redbourn Folk Club
Nov 16 Newbury: ACE Space
Nov 17 West Kirby Arts Centre
Nov 18 Southport: Bothy Folk Club
Nov 19 Barnoldswick Music & Arts Centre
Nov 22 St Margaret’s Hope: Cromarty Hall
Nov 23 Hoy: Gable End Theatre
Nov 25 Edinburgh: Assembly Roxy
Nov 28 Carlisle: Old Fire Station
Nov 29 Rothbury Roots
Nov 30 Tewkesbury: The Old Baptist Chapel
Dec 1 Bovey Tracey: South Devon Music
Dec 2 Truro: Old Bakery Studios
I just received details of Sarah McQuaid’s UK tour, starting in November. You can find more details of this and her earlier US tour on her web site and on her Facebook page.
Nov 1 Launceston: No. 8 Cafe & Deli
Nov 2 Trowbridge: The Village Pump @The Lamb
Nov 3 Stroud: Minchinhampton Market House
Nov 4 Barnstaple: ThePlough @StAnne’s
Nov 6 Northampton: Great kNight Folk Club
Nov 7 Pontyclun: Llantrisant Folk Club
Nov 8 Carmarthen: The Parrot
Nov 9 Shrewsbury: Snailbeach Village Hall
Nov 10 Doncaster: Cast
Nov 12 Surbiton: House Concert
Nov 13 Newport Harbour: Quay Arts – Anthony Minghella Theatre
While our little corner of Cornwall seems to be in the grip of Winter – though perhaps a milder Winter than most parts of the country have been enjoying – I seem to have found a time tunnel back to Autumn.
While looking for the words to ‘Autumn Song’ by Harvey Andrews – yes, it’s now crept back into my repertoire, though I don’t know if I’ll ever sing it in public – I came across a YouTube video of Sarah McQuaid singing ‘Forever Autumn’, a song sung by Justin Hayward* for Jeff Wayne’s ‘War of the Worlds’ project from 1978 (and revisited in 2012, when it was sung by Gary Barlow). This was quite a while ago, but I was reminded of it when I exchanged some email with Sarah about her forthcoming CD, which includes a version of ‘Forever Autumn’.
The video is a live, solo version from the Southdown Folk Festival, so I don’t know how close it is to the recorded version, but, having heard it again, I’m more than ever looking forward to hearing (and reviewing) the album and the launch concert at The Acorn in Penzance on January 25th. I know that Penzance is so far West that even the inhabitants of Truro don’t come down here without carrying their passports, but I note that there are plenty of other places on Sarah’s tour schedule around the time of the CD release, if this video and the ‘Tug of the Moon‘ video have whetted your appetite.
*It seems that Justin Hayward is still doing a good job of promoting ‘Forever Autumn’. In this video he sings it very nicely, but it’s almost worth listening to it just for the entertaining story with which he introduces it.