A revisited arrangement. Still needs some work, but not far off, I think.
The Chuck Berry-Beri (spelling optional)
Words & Music by David A. Harley
I don’t feel very much like dancing
No song worth singing but the blues
I used to feel like some kind of sex bomb
Till you absconded with the fuse
I think I need a holiday
So I’m out here on a midnight cruise
I’ve got the Chuck Berry-beri
Got to get a shot of rhythm and blues
I guess there’s no time left for loving
Looking into your backyard
But back to you was just a step too far
The waves are blowing higher
And we were shaking at the end of the cruise
It’s a fascinating rhythm
But I need a shot of rhythm and blues
I thought I saw your nightlight flicker
But I don’t think there’s anyone at home
Maybe I’ll call you from the middle of nowhere
While I’m stranded by the side of the road
I still need a holiday
But I can’t afford another midnight cruise
Still I can’t break the habit
I need another shot of rhythm and blues
The Inclosure Acts enabled the passing into private hands land that had previously been designated as either ‘common’ or ‘waste’. This process preceded by several centuries the formal Inclosure Acts (which began with an Act of 1604) and continued into the 20th century, resulting in the enclosure of nearly seven million acres. While enclosure facilitated more efficient agricultural methods, that increased efficiency and loss of communal land was a factor in the enforced move of so many agricultural labourers into towns. There are a number of variations of this poem, which is usually assumed to date from the 1750s or ’60s, when enclosure legislation started to accelerate dramatically. The tune here is mine: I haven’t yet learned it properly, so not a polished performance, but better than the previously published version, with some tentative harmonies on the repeat of the last line (which is not in the original text). 🙂
Sarah ends her series of singles from the forthcoming album The St. Buryan Sessions with a lovely, blues-y song co-written with Gerry O’Beirne a decade or so ago, and previously recorded on the excellent 2012 album The Plum Tree And The Rose.
To my ear this version seems a little slower than the previous version, and benefits from the ambience of the venue and perhaps an indefinable maturity of delivery. But judge for yourselves: the video of the single is on YouTube here, while the earlier album and 3-track single (and much else, including the previous singles from the St. Buryan album) can be found on Sarah’s Bandcamp page.
The St. Buryan’s Sessions album is due for release on October 15th 2021: while there are no plans to release any more singles from it, but there may be more videos (Sarah’s YouTube channel is here). I don’t mind either way: I have a copy of the album to look forward to!
1. Make It Pay 01:30
2. Butterfly (Over The Hill) 03:43
3. The Road 03:13
4. Anywhere 03:12
5. Ten Percent Blues 03:42
6. Now How Long 03:45
7. Blues For Davy 02:01
8. Baby What A Groove 02:52
9. Another Bangor Day 04:12
10. Long Cigarettes, Cheap Red Wine 04:22
11. Moonstruck 01:30
12. Angel [demo version] 02:15
13. East River 03:07
14. Empty Sunday [demo version] 02:09
You might regard this album title as an over-extended pun. Not only does it include more blues/American-influenced material than my previous albums (though I’m not sure how to quantify the exact percentage), but it also draws some inspiration (if that’s the right word) from life on the road. Though in fact my own time as a professional musician was extremely short, and no agent was getting very fat on ten percent of my income at that time. And at this time of my life, I don’t think I’ll be spending much time playing live again, let alone living in a tour bus.
If I ever belonged to a particular ‘school’ of songwriter, it was probably that very English group that included people like Bill Caddick, Peter Bond, Bernie Parry et al. (Whatever happened to Al?) Still, looking back (as I have been a lot recently) to the songs I’ve written in the last 50-60 years, I suspect that there is enough material there for at least one more album with a fair amount of Americana influence.