Words and Music by David Harley, copyright 1986
Demo version with added bouzouki:
I’m not quite sure why I keep wanting to add exotic instruments to a song that borders on the country-ish, but I’ve been messing about with versions incorporating Nashville-tuned guitar and/or mandola. But don’t worry: I’m totally incapable of getting any sound whatsoever out of the bagpipes.
Previously posted elsewhere, but I suddenly noticed that the way I sing it now changes the order of the words slightly, though it probably doesn’t make much real difference to anyone else. Anyway, the words below are as I sing it now, so don’t quite match the recording. Next time, maybe.
Two isn’t company, three is a crowd
Two is a silence, three is too loud
Two is a silence gets harder to break
But three always leaves one left over
Three into two isn’t good for the head
It’s no problem in math, but it’s bad news in bed
And it’s one for an ace and two for a pair
But three always leaves one left over
When we’re alone somehow he’s always there
You say it’s the same when you two are the pair
So it’s one for sorrow and two for joy
But three always leaves one left over
All the shouting is over and dead
Somehow there’s nothing much else to be said
And it’s one for the money and two for the show
But three always leaves one left over
Two isn’t company, three is a crowd
Two is a silence, three is too loud
Two is a silence gets harder to break
But three always leaves one left over
David Harley